Guldgubbar
Figural gold foils
Guldgubbar
Figural gold foils
Figural gold foils are small, thin and often beautifully formed pieces of art. The surface of the above example is about 1/6 of a square inch and it weights 0, 044 grams. The thickness is less than 0,002 inches. The picture to the right is the back side, turned for the comparison with the front side to the left.
The figural foils are normally said to be formed by ”repoussé technique, using patrices”. I myself strongly argue that repoussé is correct, but patrices is usually not. To me it is obvious that each one of the figural foils has to be examined separately to find out how each one of them was made. Doing that, you will find that there is usually no way that they are made by use of patrices. Rather, the tools must be miniature versions of normal repoussé and chasing tools, certainly using no hammers, but the force and movements of the hand itself.
This figural gold foil is found near Stockholm
Bilden tillhör SHM. Fotograf: Gunnel Jansson, Raä
This figural foil was found near Stockholm, together with 27 other ones.
It squares 0,43 inches and is about 0,001 inches thick.
Front side.
Back side.
The above examples are certainly not made by using patrix. If good knowledge about repoussé and chasing techniques had been at hand, the discussion would have been somewhat more complex and interesting than it has been. Please note that the question is not weather it is possible or not to make figure foils by use of patrix. Of course it´s possible! The real question is ”how is this particular figure foil made”.
The figure foil to the left was found at Lundeborg in Denmark.
http://www.dmol.dk/billede_info.asp?genst_id=18990
The one to the right was made in my kitchen. It took about fifteen minutes to make and it´s made of aluminum foil. I didn´t have the ambition to make a nice piece, more to try to form a foil ”my way”.
To make figure foils of this simple quality is very easy and takes no special skills.
To the left an example of a reconstructed hand embossing tool for making gold figure foils. Most of the different figure foil motifs were made with similar tools, where one end is a spherical point and the other as a chisel. The two ends could be used in a variety of smart ways to make a great variation in embossing as well as decorations on the front side.
A similar tool was found at the gold foil site Helgö near Stockholm, below.
Having said that, there are certainly figure foils produced with patrieces. And they are great in numbers because of the possibility of mass production. The one to the left is one of the 70 pieces made by the same patrix, found at Möllegård on Bornholm island. From the back side I have reconstructed the patrix (right) and the forms are rather angular and stiff.
Margrethe Watt let me borrow the original pictures for the necessary close investigation. Thank you, Margrethe.
This is another very nice danish figure foil that´s made with a patrix. The strips between the fingers show clear signs of the patrix making.
http://www.dmol.dk/billede_info.asp?genst_id=24860
I would say that this figure foil represents the edge of skill in this practice.
So now we have two methods of doing the job. Then comes the trouble of separating different foils to their manufacturing and making interpretations of contexts and other questions about how and why.
Generally we can separate them by watching details on the back side. The patrix gives a rather ruff picture being made from a piece of bronze using a very sharp chisel and punches. Here and there burrs can be seen, like in front of the eye in the patrix above. The burrs are then transferred to the foil.
The hand embossed foils, like those at the top of this side, often show more gracieus forms that clearly were made one after each other. They also show many typical and unintended scratches, wrinkles and many other features that cannot appear when a patrix has been used.
It seems the use of a patrix is very much a danish practice, and to some extent in the neighbouring parts of Sweden. The figure foils from Helgö and Slöinge, in all 85 pieces, are all made by hand embossing (above). So are most of the others on the swedish mainland. So far I haven´t much studied the many figures from Uppåkra, neither the series from Eketorp on Öland.
All this show that one has to be cautious when interpreting the figure making method. Not even two or more identical foils make the interpretation easy. Some identical swedish foils have been made by hand embossing two or more foils at the same time. There are specific features on the surfaces for that method, too.
Gert Franzén 2007.03.22
Useful link www.valentinyotkov.com
Below:
A selection of usually unintended effects from hand embossing a gold foil, clearly indicating the method. Drawings by Gert Franzén